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Ashok Kharat: Rape accused Nashik ‘godman’ Ashok Kharat’s wife on the run, son detained; fresh land fraud case filed | Nashik News


Authorities are intensifying their probe into self-styled godman Ashok Kharat, detaining his son for questioning and searching for his wife.

NASHIK/SHIRDI: The Special Investigation Team (SIT) probing multiple cases against self-styled godman Ashok Kharat on Tuesday detained his son in Nashik for questioning and launched a search for his wife Kalpana, who remains untraceable, as reported by news agency PTI.Kharat, currently in police custody, is expected to be produced before a local court after his remand ends on Wednesday.

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Officials said the SIT reached Kharat’s residence in Karmayogi Nagar and detained his son, Harshvardhan, who was later taken to the Maharashtra Police Academy for questioning. The move comes as the probe widens, with police stating that more than 100 complaints have been received against Kharat and at least 10 FIRs — including multiple cases of sexual exploitation and cheating — have been registered at Sarkarwada police station in Nashik.In a significant development, Shirdi police in Ahilyanagar district have registered a fresh case of cheating, criminal breach of trust and illegal money lending against Kharat, his wife Kalpana, and three others for allegedly usurping a four-acre land parcel in Nighoj, valued at around Rs 10 crore.The case is based on a complaint filed by Raosaheb Gondkar, a 55-year-old resident of Rahata. According to police, Gondkar had approached Kharat in August 2023 seeking a loan of Rs 5.52 crore to clear existing debts. As part of the agreement, he was required to execute a sale deed of his land as security, along with a memorandum of understanding and an agreement to sell, which allowed him to repurchase the property by August 2024 for Rs 6.07 crore.The complainant stated that he initially paid Rs 51 lakh as advance towards the repurchase and was required to repay the remaining amount with 2% interest. However, he alleged that over the following months he was pressured into making additional payments of Rs 90 lakh, Rs 25 lakh and Rs 50 lakh through intermediaries linked to Kharat.Investigators said that when Gondkar later attempted to settle the remaining dues and reclaim his land, Kharat allegedly stopped responding to calls and shut his Nashik-based office.Police have arrested two accused — Kiran Sonawane and Arvind Bawake — who were produced before a court and remanded to three days of police custody. Another accused, Ashok Prabhat Tambe, along with Kalpana, is absconding.According to the FIR, Sonawane, who was known to Gondkar, allegedly facilitated the loan arrangement and collected eight blank cheques from him. Using these, around Rs 1.65 crore was transferred to his account and routed to Kharat’s associates. Police said Sonawane and Gondkar had initially approached Kharat together as both were facing financial distress.Officials added that this is the 11th case registered against Kharat. At least seven cases involve allegations of sexual exploitation under the pretext of supernatural claims, while the remaining relate to cheating and financial fraud. The investigation is ongoing.



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‘Danger’ written on tissue delays Mumbai–Ahmedabad IndiGo flight by over 8 hours | Mumbai News


MUMBAI: An Ahmedabad-bound IndiGo flight was delayed by over eight hours on Wednesday after a tissue paper with “Danger” written on it was found in the aircraft immediately after the pushback, officials said. The aircraft was then taken to an isolation bay, where a thorough search of the passengers, their baggage and the aircraft was carried out but nothing suspicious was found, they said.A case was later registered in this connection against an unidentified person, police said. “At 1.32 am, an IndiGo pilot reported to the Air Traffic Control (ATC) that a tissue paper bearing the word ‘Danger’ was found in the flight (6E 911).The aircraft had pushed back at 1.21 am. The tissue paper was located in the front galley (kitchen area) of the aircraft, underneath a crew folder,” said sources. The flight was scheduled to take off from Mumbai at 1.30 am and land in Ahmedabad at 2.50 am. However, it took off at 9.48 am and reached the destination at 10.36 am, as per live flight tracking website flightradar24.com. An official of Sahar police station said, “The staff found a tissue paper with ‘Danger’ written on it inside a toilet. The airport authorities immediately alerted the Mumbai police’s control room and also contacted the nearest police station. A Bomb Detection and Disposal Squad (BDDS) was rushed to the spot, and a thorough search of the aircraft was carried out. However, no suspicious object was found.” Police later registered a case against an unidentified person and launched an investigation in this connection, the official added. IndiGo refused to issue a statement on the incident.



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Satsang, spotlight, stardust: An ode to Tesseract | Mumbai News


A week that saw the resurfacing of Timothée Chalamet’s hare-brained cultural provocation — opera and ballet are “obsolete,” “no one cares” — The Times of India’s magical musical, Tesseract, answered not with a clapback, but with choreography: an elegant, assertive inclusion of ballet, so ravishing it felt less like rebuttal, and more like revelation.Tesseract reframed legacy as living organism, not museum piece, placing ballet where it has always belonged: in the bloodstream of the present. Art demonstrates what argument cannot.The evening’s spell began at the threshold: Interstellar music seemed to bend the entry hallway into a time tunnel, and a galaxy of TOI headlines and archival material unfolded: premonitory whispers that we were entering a theatre of multiple dimensions. Within minutes, I lost the ordinary measure of time; three and a half hours dissolved, with the hush and rush of a lucid dream.

tesseract

I am writing after days of reflection and dreaming: reflecting… like the shards and mirrors of the ‘Man in the Mirror’ sequence; dreaming… like Sophia, the protagonist, whose journey, and her alter ego’s, formed a double helix of identity. Their oscillation was so seamless, I often felt the flame flicker between two bodies of light, two musics of intention; a quiet triumph of performance craft and directorial design.Satsang: Association with truthWhat lingered were not effects, but after‑effects: layers that adhere to the mind’s inner surfaces, and keep releasing meaning. That peeling and unpeeling have not stopped. My spirit felt stirred; my imagination conscripted; new quadrants of thought opened, new coordinates for feeling were revealed.Even when the show vaulted into spectacle, what gleamed most was restraint: the discipline that makes technology serve emotion, not smother it; that lets light reveal, rather than blind; that turns movement into syntax, rather than ornament.Tesseract was the most exquisite narcotic for the soul. The benevolent kind, the satsang kind. It had the unmistakable charge, vibrations, and high, of a congregation gathered to listen for truth, to dwell in the company of those who have made a life of seeking it. In this sense, the show became a civic ritual: a room of seekers aligning, for a few hours, around questions that are older than the nation‑state, and younger than each new dawn.It entered my sleep the way good art does — in rapid succession of dreams and visions; a reminder that inner archives can be as unruly (and as luminous), as outer ones.And then the finale: like origami, each crease and fold converged, until the very idea of the tesseract revealed itself; not as a stunt, but as the geometry of a thought (and truth) that had been, quietly, forming all night.The eye for detail was relentless. The section on beauty and art, in particular, pinned me to my seat with its tenderness; it was an aria about what makes us human, and why the aesthetic is not indulgence but oxygen… a skein of beliefs, mythologies of meaning, turned into a theatre of belonging.Spotlight: Shining light on the truthThe stagecraft, from sets to lighting and automation, was cutting‑edge in the only way that matters: ideas first, then electronics. Tesseract felt pioneering: rooted in Indian ethos, yet speaking fluently to the world; interweaving journalism’s archive with theatre’s alchemy, and technology’s sleight of mind. The show assembled global expertise, and integrated live performance with large‑scale LED, AR environments, illusion design, and a sweeping sound architecture... the kind of interdisciplinary rigour that does not imitate “international standards,” but sets them.Threaded through it all was an Indic grammar of courage: the old vow that truth is not a decree, but a discipline. Our epics remind us that the boldest journeys are often into ambiguity, and that to “know” is not to arrive, but to abide in inquiry. I found myself wondering — heresy though it may be to a masthead I love — whether TOI ’s signature line might graduate from “Let Truth Prevail” to “The Geometry of Truth.”After all, what is “prevail” if the unasked question is ‘what is truth?’, and ‘who gets to officiate it?’ A quest into origami-like geometry invites us to seek, to question, to listen, to platform polyphonies of approach and opinion.Stardust: Tryst with truthIf there is a roadshow destiny, Tesseract must meet it. Tour the country. Cross oceans. Reach for the stars.May Act 2 bloom into Part 2, with the “future of the planet” chapter dilated into its own deep meditation. Imagine a movement from archival intelligence, which we now shorthand as artificial intelligence, into an epoch of planetary intelligence; where biodiversity, species empathy, and humananimal kinship are re‑lit, as central plotlines, rather than footnotes.Carol Hanisch, a second-wave feminist, is credited with popularising the slogan “The Personal is Political”, through her influential 1969 essay of the same name. Tesseract seems born from the same transmutation: the rare and inspirational ability to take the personal, make it political, and then sublimate it into art. This, too, is why it moved me so much: it insisted that love scale into responsibility, and pain transform into purpose.As a work of language and light, Tesseract oscillates between surrealism, pop art, and Kafkaesque narratives, visuals, motifs.It is a composograph of cosmic intelligence; its architectonic, symbolic, haptic, figurative elements gather into a grammar of grandeur.It is a show tinged with the aura of spiritual reverence, and multi‑sensorial engagement.It is saturated with and by illusion and illumination; pulsing with a transcorporeal rhythm and murmur that recalls the oldest theatre there is: the human body and mind, convincing itself it can hold more truth than yesterday.And finally…the sprinkling of stardust. In Meera Jain’s opening invocation of her son and grandson, the evening disclosed its lineage: pregnant with poise and panache; and yet, nine months of gestation for a vision like this feels, in hindsight, inevitable. A theatre‑child born of travel, agency, care, curiosity, beauty, empathy, love, and familial imagination.Not perfect, but pure. Not bound, but beautiful. Not tangible, but true.



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Dhurandhar 2: Vicky Kaushal reviews ‘URI’ director Aditya Dhar’s ‘Dhurandhar: The Revenge’, calls Ranveer Singh’s finesse and flair ‘unmatched’ | Hindi Movie News


‘Dhurandhar: The Revenge’ has been a huge box office hit since its release in theatres on March 19. This spy thriller, directed by Aditya Dhar and starring Ranveer Singh, is getting lots of praise from fans and stars on social media. Joining the list of stars singing praise of the film and the performances was ‘URI’ star, Vicky Kaushal who took to his Instagram stories to heap praise on the director and his leading man.Dhurandhar 2 Movie Review

Vicky Kaushal praises ‘Dhurandhar: The Revenge’

Taking to his Instagram story, Vicky reviewed ‘Dhurandhar: The Revenge’ and wrote, “#DhurandharTheRevenge @adityadharflims !!! I’m so shook, so proud and in absolute awe of the craft, hard work and sincerity with which you have made this film. Nothing short of gold standard. You deserve every bit of this success. @ranveersingh you inspire me brother: Your finesse and flare as an actor is unmatched. Hosla Eendhan Badla.. @actormaddy Sir you were a joy to watch! @therakeshbedi Sir tussi kamaal ho. Big hug! @mustala_thebull_ahmed swaad aa gaya! @shivkumarpanicker genius editing, your toughest and best work till date. @shashwatology I’m a fan! @oficialjiostudios #yotiDeshpande @dhar_lokesh ©b62studios Hat’s off and mubarakaan! Each and every department. the whole team… kudos! Aap sabhi Dhurandhar ho!”

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WhatsApp Image 2026-04-01 at 5.59.15 AM.

Vicky Kaushal praises ‘Dhurandhar: The Revenge’ box office success

A few days ago, Vicky attended the inaugural International Film Festival of Delhi (IFFD) 2026, where he spoke about ‘Dhurandhar: The Revenge’ and said, “I’m just very happy to see how Dhurandhar is working. I loved the first part. I’m yet to watch the second part. But Aditya is a great filmmaker. He got a great cast together. And I’m so happy that everyone is loving the film so much.”See More: ‘Dhurandhar: The Revenge’ box office collection Day 13: Ranveer Singh and Rakesh Bedi starrer crosses Rs 900 crore India net; eyes for Rs 1,500 crore worldwide

‘Dhurandhar: The Revenge’ details

‘Dhurandhar: The Revenge’ is the sequel to the 2025 blockbuster ‘Dhurandhar’, released last December. The original film followed Hamza as he infiltrated a Baloch gang in Lyari, Pakistan, to dismantle a terror group. The sequel explores the backstory of how Jaskirat becomes Hamza amid tough circumstances. Ranveer Singh, Sara Arjun, Arjun Rampal, R. Madhavan, Rakesh Bedi, Danish Pandor, and others reprise their roles.The first ‘Dhurandhar’ grossed Rs 1300 crore worldwide.

Vicky Kaushal upcoming film

Meanwhile, on the work front, Vicky Kaushal will next appear in Sanjay Leela Bhansali’s ‘Love & War’ alongside Ranbir Kapoor and Alia Bhatt.



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Shreyas Iyer, Neeraj Chopra, Hardik Pandya: Why India’s top stars are becoming their own agents | More sports News


Punjab Kings’ captain Indian cricket player Shreyas Iyer watches the ball after playing a shot during the 2026 Indian Premier League (IPL) T20 match between Punjab Kings and Gujarat Titans at the Maharaja Yadavindra Singh International Cricket Stadium on the outskirts of Chandigarh on March 31.

NEW DELHI: The sports celebrity endorsement market is valued at Rs 1,350 crore ($153 million), marking a 2.2 times growth over the past four years, according to a recent report by WPP Media. Cricket dominates the space, contributing 87 per cent or Rs 1,178 crore ($133 million), while other sports account for Rs 173 crore ($20 million).“With rising sophistication in the endorsement arena, athlete-led endeavours are steadily becoming institutionalised, indicating a more coordinated approach to value extraction,” said the 13th edition of the ‘Sporting Nation: Building a Legacy’ report.

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It continued: “This pattern is particularly evident among high-profile players who are leveraging their stature to create well-designed deals.”One example of this is Virat Kohli’s association with One8 and his strategic investment in becoming a co-owner of Agilitas Sports.As elite athletes identify their economic worth, they’ve also started to shift from traditional talent management agencies to taking direct charge of their contracts through independent ventures or in-house offices managed by friends and family.“Athletes are increasingly viewing themselves as enterprise entities rather than solely as represented talent,” stated the WPP Media report.After a 12-year association with Reliance Industries’ RISE Worldwide, Hardik Pandya, one of the most bankable Indian cricketers, officially parted ways in November last year. “I’m excited to share that I’m officially setting up my family office [Hardik Pandya Family Office] to bring all my business ventures, investments and off-field commitments under one unified version. This is an important step towards building long-term meaningful opportunities on and off the field, and I could not be more thrilled about what is ahead,” he said in a post on November 26.Alongside Hardik, his brother Krunal Pandya, Ishan Kishan and Shreyas Iyer also left the sports and lifestyle business arm of RIL.

A professional athlete career is a race against time. At 35, when most individuals pursuing successful careers in their respective fields wonder how to take their professional journeys to the next level, a top sportsperson begins to wonder what he or she will be doing next

Shreyas Iyer | Punjab Kings captain

Krunal is now managed by the same agency as Hardik. Ishan Kishan, who parted in February this year, has his affairs managed by a friend. Iyer, meanwhile, has started 96 Degree to manage his affairs.“..Hunger to score runs and win championships remain the bedrock of my life, my perspective has widened,” wrote Iyer, the ODI vice-captain and skipper of IPL franchise Punjab Kings, in the WPP Media report.“A professional athlete’s career is a race against time. At 35, when most individuals pursuing successful careers in their respective fields wonder how to take their professional journeys to the next level, a top sportsperson begins to wonder what he or she will be doing next. Didn’t someone say sport is cruel?”

My early career experiences have shaped my financial sobriety. My philosophy towards wealth is deeply intertwined with the lessons I have learned on the 22 yards, discipline, patience and a calculated approach to risk.

Shreyas Iyer

“We earn most of our lifetime income in a condensed window. To manage this effectively, one must shift from the mindset of ‘earning income’ to ‘building generational value.’ I’ve looked closely at global icons — athletes who have transitioned from being superstars to operating as sophisticated investment platforms. They don’t just sign checks; they own the cap table. ““My early career experiences have shaped my financial sobriety. My philosophy towards wealth is deeply intertwined with the lessons I’ve learned on the 22 yards, i.e., discipline, patience and a calculated approach to risk.”“Starting my own management firm, ’96 Degree’ is not a departure from those relationships, but rather the next chapter built upon the strong foundations we laid together. It is a transition from ‘managed talent’ to self-determined entrepreneurship,” he continued while thanking those at RISE Worldwide.“I hope this move inspires younger athletes to think financially from the start. We need more financial education for the athletes in India, moving away from “advice from friends” toward entrepreneurial excellence,” he added.

In non-cricket, this trend of leaving the (traditional) agencies and starting your own individual thing is not there. Neeraj is an exceptional case. Otherwise, 99.9% of the athletes are managed by one of the other larger agencies

Rahul Trehan, COO of iOS Sports and Entertainment

Other notable cricketers keeping things independent or in-house are Test and ODI skipper Shubman Gill, Rishabh Pant and Sanju Samson. Before this young bunch, Sunil Gavaskar (PMG Sports), Sachin Tendulkar (SRT Sports Management) and MS Dhoni (Midas Deals) also managed their own commercial interests.An industry insider said another major reason elite athletes step away from traditional agencies is that they can control their affairs better, rather than jostling for deals with their peers. The dividends are already visible for some, as they are reaping endorsements at 3x their previous values.

Neeraj Chopra an anomaly

The trend is not limited to cricket. Two-time Olympic medallist and world champion Neeraj Chopra ended his decade-long association with JSW Sports and launched his own management agency, Vel Sports, earlier this year.But Neeraj is a one-off in the non-cricket space.“In non-cricket, this trend of leaving the (traditional) agencies and starting your own individual thing is not there. Neeraj is an exceptional case. Otherwise, 99.9% of the athletes are managed by one of the other larger agencies,” said Rahul Trehan, COO of IOS Sports and Entertainment.Their roster includes multiple Olympic medallists: Vijender Singh (boxing), Anju Bobby George (athlete), Mirabai Chanu (weightlifting), Hardik Singh, Manpreet Singh (hockey), and Lovlina Borgohain (boxing).

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He pointed out that non-cricket athletes have reason to be cautious, as the market is volatile for them and cyclical depending on marquee events.“Cricket is a sport where there’s a regular dosage for the audience. In non-cricket events, there are fewer, and in most cases, there is no live telecast. So the recall value is higher in cricket as compared to non-cricket,” explained Trehan.“In cricket, one knock can take your brand value up. But, in non-cricket competitions, there are fewer, and it is mostly a game of a four-year cycle. The Olympics are the biggest event for them.”“If you see Manu Bhaker, she was in the limelight after the (Paris) Olympics. Now again, the market is slow for her. Every Olympics, we get a new star. In 2016, it was Sakshi Malik; there was also Deepa Karmakar. Neeraj got good deals after the Tokyo Olympics. Manpreet (Singh) got good deals… it is not like cricket,” he added.



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Bengaluru Techie Couple Suicide: Rs 80 lakh package, US house, woman’s kin unaware of marriage: More skeletons tumble out in Bengaluru techie couple’s suicide | Bengaluru News


A young techie couple who had moved from Hyderabad to Bengaluru died by suicide within minutes of each other at their apartment in the city’s Kothanur area, police said.

BENGALURU: A young techie couple who had moved from Hyderabad to Bengaluru died by suicide within minutes of each other at their apartment in the city’s Kothanur area, police said.Investigators said the husband, Bhanu Chander Reddy, 32, was found dead inside a locked bedroom on Tuesday morning. His wife, Bibi Shaziya Siraj, 31, died shortly afterwards after jumping from the 18th floor of the same apartment complex.Police said Shaziya had returned home from her night shift at around 7.30am and raised the alarm when her husband did not respond. She contacted the building’s security staff, telling them the bedroom door was locked from inside. Guards broke open the door and found Reddy’s body. A suicide note was recovered from a table.According to police, Shaziya remained at the scene briefly as neighbours gathered and calls were made to emergency services. “We are told she was around for 20 minutes after the body was discovered,” an officer said. Amid the commotion, she is believed to have left unnoticed, taken the lift to the 18th floor and jumped.Annual package of Rs 80 lakhIn his purported note, Reddy blamed job loss and mounting anxiety. He had previously worked in the United States, where, police said, he earned an annual package of Rs 80 lakh.According to Reddy’s family, he had purchased a small house in US and built another in Telangana for his family. However, due to AI, he lost the job and this shattered him. His anxiety increased when failed to secure another job. But his family and wife were supportive,” an investigating officer said.Police said the couple had moved to Bengaluru about eight months ago after Shaziya secured a job with a multinational technology company, IBM. Reddy had returned to India after losing his job in the US and had been trying to find work.

Here’s what happened

On Sunday night, shortly before leaving Hyderabad, Shaziya had spoken to her husband. According to the investigation, he told her he had ordered dinner online and would be eating soon.The couple had been married for around two-and-a-half years, but only Reddy’s parents were aware of the relationship. Police, quoting friends and colleagues, said Shaziya had not informed her own family.

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Investigators said the couple initially stayed in Hyderabad but found it difficult to continue there due to the need to keep their marriage secret from relatives. They later moved to Bengaluru and were living on the eighth floor of Tower 6 in an apartment complex on Thanisandra Main Road.Officers said Reddy had been struggling with anxiety linked to unemployment after the move. Further investigation is ongoing.



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How this humble man from Bihar is making such a huge impact across Gujarat: “You don’t need money for success; all you need is…”


The story of Tarun Mishra is one that lingers in your mind long after you hear it. Anyone who follows him on social media has witnessed his quiet yet powerful acts of kindness—helping the poor, comforting those in distress, rescuing abandoned children and elderly parents, and caring for the sick who have nowhere else to go. It almost feels unbelievable that a man so often seen in a simple white shirt and jeans carries such immense compassion within him. You can’t help but wonder—where does he find the time, the strength, the resources? More importantly, where does such empathy come from?Tarun himself offers a grounded perspective: “No work has a 100% success rate. Even when we want to help people, some are unwilling to come with us to shelter homes. They have either grown used to that kind of life or have become skeptical. However, we try really hard.” Tarun’s life proves one does not need money to make an endeavor a success; all one needs is the right intent and determination. His Help Drive Foundation has helped thousands of people across Gujarat.

Image credit: Tarun Mishra's FB account

Today, he manages 22 shelter homes across Gujarat and has helped thousands rebuild their lives over the years. A lack of time or resources often hinders many people who feel deeply about helping others. Tarun’s story is a living example of how if all that matters in life is the right intent, then everything else might just follow!Originally from Bihar, Tarun moved to Delhi at the age of five with his family. He studied in municipal schools run by the Delhi government, while his father worked as a pharmacist. Life took a difficult turn when his father lost his job. Tarun, then just a sixth-grade student, stepped up to support his family. For a year, he sold religious books near a temple in Sarojini Nagar. When the small shop began to do well, his father took over, and Tarun returned to Bihar to continue his education at his maternal grandparents’ home. He excelled academically, completing his 10th and 12th with first division and even clearing an engineering entrance exam.However, the road ahead was not an easy one. The college he got into in Delhi was far away from where his family stayed. He had little money to take a rented room and he decided to stay in a shelter home. It was here that he came face-to-face with human suffering in its rawest form. Instead of turning away, he leaned in. He didn’t just offer ideas—he volunteered tirelessly, earning the respect of those around him.

Image credit: Tarun Mishra's FB account

Just as life seemed to be finding direction, tragedy struck again with the sudden passing of his father. As the eldest son, responsibility fell squarely on his shoulders. Tarun’s maternal uncle had a small business in Surat, and hence, he moved there to help him. “There is no substitute for hard work! Tarun worked really hard, riding his scooter across the outskirts of the city, taking orders from shopkeepers, and delivering goods himself. His hard work paid off; he built a successful business and fulfilled his father’s dream of owning a pharmacy.Life had finally become stable—and better. Any regular person at this point of life would now start focussing on his business and personal life. But Tarun began working with government-run shelter homes in Surat. His dedication and hands-on approach transformed these spaces, earning recognition and praise. Soon, other municipalities began reaching out for his expertise. What started as a small effort grew into a mission—today, he oversees 22 shelter homes and is expanding his work to cities like Mumbai.

Image credit: Tarun Mishra's FB account

Tarun is not just managing these shelter homes. He has a deep connection with the people who stay there. The children and the elderly rush to hug him when he comes to visit them. This kind of innocent love is rare and unconditional! His shelter homes are much more than roofs over heads. They provide dignity. So what does Tarun do? He reunites families, ensures medical care to those who need it, provides nutritious food, and most importantly, treats every individual with respect and humanity, the love that Tarun shows to these people is infectious! . For many, these shelter homes are not just places to stay—they are places where life begins again.

Image credit: Tarun Mishra's FB account

In a world where empathy and kindness seem to be forgotten words, Tarun Mishra reminds us what it truly means to be human. Tarun is not rich and influential, but Tarun has a will to help people. “My brother manages the business, and hence I am able to do this. My family does ask me sometimes to focus more on work, but I feel that our life is much better than what it used to be, so what more do you need in life? There is no end to desires.He shows us that you don’t need extraordinary resources to make a difference, but all that is needed is just an extraordinary heart that is filled with kindness and empathy. And perhaps that is the most powerful lesson of all: even in the face of hardship, one person’s determination to care can light up countless lives.



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Letter from Sunetra to ECI after election as NCP chief does not mention Patel, Tatkare’s posts | Mumbai News


Pune: A recent letter signed by NCP chief Sunetra Pawar and sent to the Election Commission of India (ECI) has surfaced on social media without the designations of party seniors Praful Patel and Sunil Tatkare. Sunetra reached Delhi on Wednesday evening where she is expected to meet key NDA members.After the split in the NCP in 2023, Ajit Pawar was elected the NCP chief, Patel has been its national working president and Tatkare, its state president. Close to a month after Ajit Pawar’s death in a plane crash on Jan 28, his wife Sunetra was elected unanimously as the party chief on Feb 26.Sunetra wrote to the ECI about her appointment on March 10. She also sent a letter with a list of 14 office-bearers with her as the party president and Shivajirao Garje as the treasurer. The communication does not mention any designation for the remaining 12 members, including Patel, Tatkare, Chhagan Bhujbal and Jay Pawar. Patel, Tatkare, Parth and Jay Pawar did not respond to several calls and messages from TOI. Meanwhile, after months of denying reunification talks between the two NCP groups, Tatkare on Tuesday changed his stance and said that merger discussions were going on when former deputy minister Ajit Pawar and then party chief was alive.Tatkare’s comments came during his interview with an electronic media outlet, where he said, “I was aware of the merger talks. It is not that I was against it, but there is a difference between the two reunification scenarios, when Ajitdada was alive and when he is not amongst us.”He criticised NCP (SP) members for showing urgency in speaking about the merger immediately after Ajit Pawar’s death in a plane crash and not backing Sunetra Pawar as the next NCP chief. Senior members of NCP (SP), including party chief Sharad Pawar, former state chief Jayant Patil and current state chief Shashikant Shinde, had said that the unification of the NCPs was Ajit Pawar’s wish and talks were in the final stage before his untimely death.Tatkare said, “Those people are now saying that the merger was Ajitdada’s last wish but they are the same people who targeted him when he decided (to join Mahayuti). After the Lok Sabha performance, some said that Ajitdada’s political career was over. I will speak about this in detail later.”NCP (SP) members said that Tatkare was finally speaking the truth. Shinde said, “We have been constantly saying that merger talks were on but when they (NCP) kept denying it, we stopped speaking. Now that Tatkare has said so, he should also reveal the discussions held by their party.”



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Dhurandhar 2: Priyanka Chopra heaps praise on Ranveer Singh and Aditya Dhar for ‘Dhurandhar The Revenge’: ‘Congratulations mere dost’ | Hindi Movie News


Priyanka Chopra lauded Ranveer Singh and the ‘Dhurandhar’ team on Instagram, calling director Aditya Dhar a “man with a mission.” The film, featuring a star-studded cast including Sanjay Dutt and R. Madhavan, has achieved remarkable box office success, crossing Rs 1,400 crore globally. Other actors like Anupam Kher and Vicky Kaushal have also praised the action-packed entertainer.

Priyanka Chopra shared a message for Ranveer Singh and the team of ‘Dhurandhar’ on her Instagram Story after the film’s poster began circulating online. She reposted the artwork and wrote, “Congratulations mere dost (dear friend) @ranveersingh, @rampal72, @actormaddy, @AkshayeKhanna, @duttaanjay, @saraarjunn, @therakeshbedi, @adityadharfilms.” In the same story, she also addressed director Aditya Dhar in a separate line.Dhurandhar 2 Movie Review

‘Dhurandhar’ Instagram story reaction

Priyanka Chopra posted the message on her Instagram story while reacting to the poster of ‘Dhurandhar: The Revenge’ placed above him. The actress tagged multiple cast and crew members associated with the project. Her second message read, “Aditya, you’re a man with a mission. Dhurandhar in every way is a revelation. Thank you all for your artistry.”

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After Massive Slip-Up, Dhurandhar 2 Returns With New Changes

‘Dhurandhar’ cast and film details

‘Dhurandhar’ features Ranveer Singh, Sanjay Dutt, R. Madhavan, Akshaye Khanna, Arjun Rampal, Sara Arjun, and Rakesh Bedi. The film is directed by Aditya Dhar. The Indian Express stated that ‘Dhurandhar’ recorded strong numbers during its theatrical run and crossed Rs 1,400 crore worldwide within its early weeks. The film also drew reactions from other actors. As reported by NDTV, Anupam Kher praised ‘Dhurandhar: The Revenge’ on Instagram and called it “absolutely world-class,” adding that the film would make “every Indian proud.” The Indian Express also reported that Vicky Kaushal praised the film as it continued its strong run in theaters. The response around the film extended beyond celebrity posts and box office updates; the poster, cast lineup, and scale of the release helped keep it in entertainment headlines. Its strong theatrical numbers continued audience interest, while online reactions focused on Ranveer Singh’s screen presence, the film’s action-heavy presentation, and Aditya Dhar’s staging. Together, those elements kept ‘Dhurandhar’ in the spotlight as it continued its run.See More: ‘Dhurandhar: The Revenge’ box office collection Day 13: Ranveer Singh and Rakesh Bedi starrer crosses Rs 900 crore India net; eyes for Rs 1,500 crore worldwide



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CM clean chit to ex-Pune top cops over gun licences | Mumbai News


Pune: CM Devendra Fadnavis has in a written reply to the assembly said no irregularity was found in the 433 firearm licences issued during the tenure of Amitabh Gupta and Jalinder Supekar, former commissioner and former additional commissioner, respectively, of Pune police.Last May, the CM had ordered a review of all gun permits issued by Pune police during their tenure following allegations that Supekar had tried to shield the family of former NCP functionary Rajendra Hagawane after daughter-in-law Vaishnavi Hagawane’s suicide over dowry demands. It was also alleged that Supekar had helped the Hagawanes acquire gun licences in 2022 despite misleading residential documents being submitted. Gupta was the then Pune police chief. While the CM gave the written reply on July 8, 2025, the question and answers were tabled during this session. “The licensing authorities were found to have adhered to all the terms, conditions and provisions of Arms Act, 1959, and Arms Rules, 2016, while issuing these licences,” said the reply. Gupta didn’t respond to TOI’s calls. Supekar said, “The truth has come out. We had followed all the norms.” TNN



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